Midnight Jazz

Laura Pursell’s ‘Somewhere in this Room’ is ‘meticulously crafted and classically arranged’ | June 2, 2008

Reviewed by Vivian Fields

Laura Pursell/Somewhere in this Room

Laura Pursell’s Somewhere in this Room is too beautiful to be categorized as Adult Contemporary. Given that the genre has embodied too much cheese the past couple of decades, laying the Adult Contemporary tag on this meticuously crafted and classically arranged project is too superficial. The first five or so minutes of Somewhere in this Room, the opening “Overture,” is a sweeping instrumental piece that’ll leave you breathless and in awe with its waves of lush violins and evocative piano. Pursell doesn’t even sing on it; it isn’t until the second track, “When You Come Down,” that Pursell is introduced, seducing us with a fragile voice as sweet and warm as Karen Carpenter’s in her prime.

From “Overture” you get the impression that Pursell will pursue chamber-pop on the rest of the CD. Not at all. Pursell veers from the bluesy regrets of “Not Much to Lose” to the bossa nova charms of “When You Smile” to the orchestral masterpiece that is the title cut. Producer Andrew Bonime does an outstanding job of keeping the record consistent even when Pursell strays from one genre to the other. The album is not meant to be sliced into pieces on an iPod; it must be experienced from beginning to end, letting its various parts melt into each other to produce a massively satisfying and hauntingly pretty whole. Somewhere in this Room is nothing less than a work of art.

http://www.somewhereinthisroom.com

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1 Comment »

  1. It is wonderful when someone can describe everything you felt and heard on an album that turns out to be too special for words. Thank you

    Comment by Mary Anton — July 15, 2008 @ 1:11 am


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About author

Julian Wilson, Editor, has been writing about different genres of music, from jazz to techno, for nearly two decades in print.

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